Part II
Applying A Critical Perspective: Nonnarrative Programming
‘In all communication, whether by words or by images, there is always some editorializing. There is always a subjective aspect because we are what we are, human beings.’
—Julius Bbom, Executive Directory Carnegie Hall Corporation1
In the previous section of this book it was noted that all television programming is composed of symbols from both the real world of the audience and the artistic environment of the television industry—a symbolic corroboration, if you will. Symbols from the real world, or external reality, are incorporated into programming to give it a sense of verisimilitude ...
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