p.194
accuracy 53
actors 36, 80; career paths for dramaturgs 188; casebooks 115, 116–17, 121; close attention to 32; clues in the text 26; content for 64, 65; meetings with 97; mode of communication 106, 107; notes to 175, 178, 180; rehearsals 52, 124; social context 24; timing 58; working with 181–5
All for Love (Dryden) 82
Anouilh, Jean 136
Anthony and Cleopatra (Shakespeare) 82
Antigone (Anouilh) 136
audiences 8, 131–52; choice of place 80, 84–7; choice of time 88–9; communication with 106, 107; content for 64, 65–6, 104; devised theatre 167; dramaturg as audience outreach 99–100; “elephant in the room” 73–4, 76–8; engagement ...
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