INTRODUCTION
This book is primarily intended for film and video students or independent video- and filmmakers who are faced with the necessity of writing a short narrative script. For our purposes, we consider a short film to be one of 30 minutes or less, as films longer than that usually need a secondary, or minor, plot-line to sustain audience interest and, in addition, are much less likely to be eligible for festivals or suitable to be shown as “portfolio” work.
Although our main focus is on the short narrative film, we intend to demonstrate the ways in which each short form has borrowed freely from the others. It is important that less-experienced screenwriters realize that, even when the scripting of a narrative, documentary, or experimental ...
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