THE HANDMADE MOVEMENT, which generated such intense and varied activity, began to spread to other parts of the country in the 1970s, such as the School of the Art Institute of Chicago, the University of New Mexico, Arizona State University, the University of Arizona, and numerous Californian academic institutions as its practitioners fanned out to new locales. In much of this newer work artists focused on issues of identity: its construction, distortion, celebration, or suppression by the forces of the larger society and by the actions ...
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