Thrust and In-the-Round Spaces
When shooting in thrust and in-the-round spaces, quite often you find the best composition of performers is framed against the seating, or worse, against part of the seating and part of the set. You may recall my thoughts on this from Chapter 9. These considerations also apply to other situations, but especially with these types of venues. This is a situation that all designers on the show should accept as part of the cost of doing business in these venues, but you can mitigate the damage done ...
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