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1 Ben Brantley, “How Mark Rylance Becomes Olivia on Stage”, New York Times, August 14, 2016.
2 Lajos Egri, The Art of Dramatic Writing (New York: Simon & Schuster, 1946).
3 Please note that we have slightly modified Mr. Egri’s original paradigm.
4 Absence of Malice (1981): written by Kurt Luedtke, directed and produced by Sydney Pollack. The film starred Paul Newman, Sally Fields, and Melinda Dillon.
5 This scene was given to me by one of my students several years ago. I have searched the Internet but haven’t been able to identify the author. I would like to be able to give him/her credit, as we use this scene often. It provides some wonderful challenges for actors to deal with in order to develop their ...
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