Preface to the Third Edition
With the release of the second edition of The Foley Grail in 2014, my perspective on the world of Foley had become more nuanced. I was completing a PhD in Moving Image Studies at Georgia State University and about to embark on a five-year appointment at Ball State University as the Edmund F. and Virginia B. Ball Endowed Chair of Telecommunications. The fact that I was writing a dissertation, which is an industrious and highly academic exercise, while completing the second edition of this book, a practical and more accessible aspect of writing, embodied the perfect illustration of how I have lived in two worlds since 2009: that of a film practitioner with the added incarnation as a film scholar. These two worlds can ...
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