Chapter 1
Audio techniques and equipment
If you work in a radio or recording studio, or with television or film sound; if you are in intimate daily contact with the problems of the medium; if you spend hours each day consciously and critically listening, you are bound to build up a vast body of aural experience. Your objective will be to make judgements upon the subtleties of sound that make the difference between an inadequate and a competent production, or between competent and actively exciting – and at the same time to develop your ability to manipulate audio equipment to mould that sound into the required shape.
The tools for picking up, treating and recording sound continue to improve, and it also becomes easier to acquire and ...
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