Foreword
Pat Miller's book on script supervision is the first, and insofar as I am aware, the only complete and thorough work of its kind ever published. It covers in detail the hundreds—and I mean literally hundreds—of tasks a good script supervisor must perform: the recording of how the director is shooting the scene; if a master, how he breaks it up; a description of each shot, including who is in it, etc.; where there are changes in the dialogue or action that would affect the story line; how the characters are dressed; how the characters are positioned, and in what direction they are looking; the points at which the characters sit, stand, or otherwise move; the times at which characters enter and exit, and whether or not their actions accord ...
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