One microphone, one actor, and one channel on the mixer. What could possibly be simpler or more straightforward? That’s the question that I started this book with, and by now we’ve seen that the act of recording a voiceover is anything but simple and straightforward. Recording sound is a technical field, and you have to know the technical aspects of your job—that’s expected of you by the producers, directors, and actors. After all, that’s why they hire you. But, as this book has shown, there’s more to it than just the technical aspects. I think that, if you concentrate solely on the technical issues, in the end you ...
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