Preface

The intention of this book is to make accessible to many people, involved in the daily use of recording studios, information which is locked away in many textbooks. The majority of people working in modern music recording studios have not had the necessary formal education in mathematics, acoustics and electronics to make the textbooks appear as anything other than cold print. Largely, also, the days are gone when the majority of studio staff received formal training in the studios themselves, spending years learning under the watchful eyes of previous generations of recording engineers.

This book is not intended to replace the textbooks, but to accompany them, in order to put many of the principles which they define into the context ...

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