Preface

As a theatre educator and a freelance designer, every year I encounter a wide range of artists in the entertainment industry. I am a people person who loves to get to know those with whom I work (a trait common to many of us in this industry). If you spend enough time talking to people and listening to their experiences, certain patterns start to appear. One such pattern I noticed early in my teaching career was the complaint that, while there exist countless texts for most mainstream software titles, these books are nonexistent for most of the applications used in live performance. For many of these applications, technicians must learn on the job or through self-guided experimentation. As an educator, this always made me feel that someone ...

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