Book description
Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!
Table of contents
- Cover
- Title
- Halftitle
- Copyright
- Dedication
- Contents
- About the Authors
- Preface
-
1 The History of Programming
- The Need for Programming
- The Early Days of Programming
- The Beginning of Network Programming: A New Lease for Radio
- The Introduction of Television and Its Effect on Radio
- Programming Cycles and Trends
- Radio Redux: The Switch from Shows to Formats
- Television’s Golden Age of Drama
- Quiz Shows Take Center Stage
- The Television Networks Take Over Programming
- The Development of Public Broadcasting
- The Financial Interest and Domestic Syndication Rule
- The Rise of Independent Stations and Syndicators
- The Explosion of Cable
- Syndication in Radio
- New Networks with Targeted and Niche Programming
- The Quest for a Young Demographic
- Viewing Patterns and Changing Audience Attention Spans
- The Decline of Longform Programming
- Supercharged Programming Choices: The Internet
- New Media Recording Technologies
- The Rise of Consumer-supported Media
- The Video Game Explosion
- Regulations
- Globalization
- Exercises
- References/Notes
-
2 Sources of Television Programming
- Beyond the Idea—into the “Deep Pockets”
- Major Production Companies
- Independent Production Companies
- Foreign Production Sources
- Networks
- Stations
- Buyers
- Syndicators
- Advertisers
- In-House Production
- Members of the Public
- Newspapers, Magazines, and Books
- Managers, Agents, and Stars
- Exercises
- References/Notes
-
3 Sources of Radio and Internet Programming
-
Sources of Programming for Radio
- Syndicator/Network Programming
- The Purpose of Today’s Radio Networks/Syndicators
- From Town to City to Metropolis and Syndication
- Sources of Music Programming
- Sources of News Programming
- Sources of Talk Radio Programming
- Sources of Other Programming
- Sources of Satellite Radio Programming
- Sources of Low-Power FM Programming
- Sources of Internet Programming
- Exercises
- References/Notes
-
Sources of Programming for Radio
-
4 Development
-
Television Development
- Securing the Rights
- Attaching a Star, Writer, or Showrunner During the Development Process
- The Role of Agents
- Development Deals
- Getting Ready for the Pitch: Creating a Log Line
- Writing an Effective Log Line
- Getting a Meeting
- The Pitch Meeting
- “Laying Pipe” for a Pass
- Fundamentals of the Deal
- Public Television Development
- Syndication Development
- Station Development
- The Pilot
- Development Ratios
- Testing
- The Decision
- Globalization
- Radio Development
- Internet Development
- Exercises
- References/Notes
-
Television Development
- 5 Testing
- 6 Elements of Successful Programming
- 7 Influences on Television Programming
- 8 Influences on Radio and Internet Programming
-
9 Scheduling Strategies for Television
-
Television Scheduling
- Fitting the Show to the Available Audience
- Dayparting
- Launching the Show: The First Strategy
- Tentpoling
- Hammocking
- Counterprogramming
- Bridging and Supersizing
- Blunting
- Stacking
- Stunting
- Crossprogramming
- Theming
- Stripping
- Changing a Show’s Time Slot
- Overexposure
- Rerunning and Repurposing
- Boosting the Audience in Sweep Periods
- Patience
- Exercises
- References/Notes
-
Television Scheduling
- 10 Scheduling Strategies for Radio and the Internet
- 11 Program Evaluation
- 12 Changing and Canceling Programs
-
13 Programming Ethics
- The Meaning of Ethics
- Ethical Guidelines
- Considering Ethics
-
Case Histories: Actual Incidents
- Checkbook Journalism
- Make the Deal, but Don’t Close It
- An On-Air Murder Confession
- Sex in Public Places
- Sharing the Wealth
- Who Is to Blame?
- Anonymous Complaints at E!
- A Suicide on TV
- Images of the Iraqi War
- The Right to Privacy
- First Amendment vs. the Sixth Amendment
- Entertainment Programming Ethics
- A Series of Ethical Dilemmas
- References/Notes
- Glossary
- Index
Product information
- Title: Programming for TV, Radio & The Internet, 2nd Edition
- Author(s):
- Release date: November 2012
- Publisher(s): Routledge
- ISBN: 9781136068850
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