Book description
Play Directing describes the various roles a director plays, from selection and analysis of the play, to working with actors and designers to bring the production to life.
Table of contents
- Cover
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- 1 Why the Director?
- 2 What Is a Play? Analysis and Improvisation
- Part I Taking a Play Apart
-
Part II Communication
-
The Director-Actor Relationship and Stage Blocking
- 7 Directing Is Working with Actors—1
- 8 Learning to See: The Games of Visual Perception
- 9 Helping Actors Communicate through Groundplans
- 10 Composition: Helping Actors Discover and Project Basic Relationships
- 11 Helping Each Actor Intensify: Gesture and Improvisation with Properties
- 12 Picturization: Helping a Group Intensify
- 13 The Dynamic Tool of Movement
- 14 Coordinating the Blocking Tools in Director-Actor Communication
- 15 Helping Actors “Speak” a Play
- 16 Directing Is Working with Actors—2
- Communicating Through Staging Options
- 18 The Director and the Stage Machine: Symbolization and Synthesis
- 19 Director’s Options: Choice of the Stage
- 20 Director’s Options: Scenery, Properties, and Lighting
- 21 Director’s Options: Costume, Makeup, and Sound
- Helping Audiences Receive A Play
-
The Director-Actor Relationship and Stage Blocking
- Part III Interpretation
- Part IV Communication 2
- Appendix 1: Musical Theatre and Opera
- Appendix 2: The Director and the Dramaturg
- Appendix 3: Your Future as a Director
- Bibliography
- Index
Product information
- Title: Play Directing, 7th Edition
- Author(s):
- Release date: November 2015
- Publisher(s): Routledge
- ISBN: 9781317351016
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