Acknowledgments
Many people were influential in the creation of this book. My composing and music editing has been enriched by many colleagues and mentors. I would particularly like to recognize Don Wilkins for his inspirational teachings at Berklee College of Music, as my first film-scoring and music editor instructor. I also want to acknowledge Modern Music for opening the door to the world of music editing.
I will be forever indebted to two colleagues, J.J. George and Joel Krantz, for their expert editorial work on this manuscript. Joel, an assistant professor in the Department of Cinema and Television Arts at California State University Northridge, was my choice to line edit for both grammatical corrections, and Pro Tools and postproduction ...
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