Book description
Written by a team of experts, the Loudspeaker and Headphone Handbook provides a detailed technical reference of all aspects of loudspeakers and headphones: from theory and construction of transducer drive units and enclosures, to such practical matters as construction, applications in rooms, public address, sound reinforcement, studio monitoring and musical instruments. Loudspeaker measurements and subjective evaluation are treated in equal detail and headphones are discussed comprehensively.This third edition takes account of recent significant advances in technology, including:
· the latest computer-aided design systems
· digital audio processing
· new research procedures
· the full range of loudspeakers
· new user applications.
Table of contents
- Front Cover
- Half Title
- Title Page
- Copyright
- Contents
- Preface to the third edition
- List of contributors
- 1 Principles of sound radiation
-
2 Transducer drive mechanisms
- 2.1 A short history
- 2.2 The diaphragm
- 2.3 Diaphragm material
- 2.4 Magnetism
- 2.5 The coil
- 2.6 The case for square wire
- 2.7 The suspension
- 2.8 Motor performance
- 2.9 The chassis
- 2.10 Efficiency
- 2.11 Power handling and heat dissipation
- 2.12 The dome driver
- 2.13 The horn driver
- 2.14 The ribbon loudspeaker
- 2.15 Moving masses
- 2.16 Modelling the moving-coil motor
- 2.17 The electrical analog of a drive unit
- 2.18 Modelling the enclosure
- 2.19 Low-frequency reproduction
- 2.20 The compound loudspeaker
- 2.21 Motional feedback
- References
- 3 Electrostatic loudspeakers
-
4 The distributed mode loudspeaker (DML)
- 4.1 Introduction
- 4.2 Historical background
- 4.3 Traditional loudspeakers
- 4.4 Bending waves in beams and plates
- 4.5 Optimizing modal density
- 4.6 Early work
- 4.7 Current methodologies
- 4.8 Panel mechanical measurements
- 4.9 Drive points
- 4.10 Mechanical model
- 4.11 Implementation for a practical moving-coil exciter
- 4.12 Radiation simulation modelling
- 4.13 Performance
- 4.14 Acoustical measurements
- 4.15 Psychoacoustics
- 4.16 Loudness
- 4.17 Stereophonic localization
- 4.18 Boundary reaction
- 4.19 Acoustic feedback margin
- 4.20 Sound reinforcement applications
- 4.21 Distortion mechanisms
- 4.22 The future
- Acknowledgements
- References
- 5 Multiple-driver loudspeaker systems
-
6 The amplifier/loudspeaker interface
- 6.1 Introduction
- 6.2 The electrical load presented by the loudspeaker
- 6.3 Impedance compensation
- 6.4 Complete conjugate impedance compensation
- 6.5 Sound level and amplifier power
- 6.6 Remote crossovers, remote or built-in amplifiers?
- 6.7 Damping factor and source resistance
- 6.8 Level rather than watts
- 6.9 Axial SPL and room loudness
- 6.10 Active loudspeaker systems
- 6.11 A typical active speaker system
- 6.12 Driver equalization and motional feedback (MFB)
- 6.13 Full-range feedback
- 6.14 Speaker adaptability
- 6.15 Digital loudspeakers
- 6.16 Cables and connectors
- References
- Bibliography
- 7 Loudspeaker enclosures
- 8 The room environment: basic theory
-
9 The room environment: problems and solutions
- 9.1 Introduction
- 9.2 Room equalization
- 9.3 Correctable and non-correctable responses
- 9.4 Digital correction techniques
- 9.5 Related problems in loudspeakers
- 9.6 Equalization in auditoria
- 9.7 An example of simple acoustic equalization
- 9.8 Acoustic solutions
- 9.9 Source pattern differences
- 9.10 Listening rooms
- 9.11 Critical distance
- 9.12 Control rooms
- 9.13 The advent of specialized control rooms
- 9.14 Built-in monitors
- 9.15 Directional acoustics
- 9.16 Scaling problems
- 9.17 The pressure zone
- 9.18 The general behaviour of loudspeakers in rooms
- 9.19 Summing up
- Acknowledgements
- References
- Bibliography
-
10 Sound reinforcement and public address
- 10.1 Introduction
- 10.2 Loudspeakers and signal distribution
- 10.3 Loudspeaker coverage
- 10.4 Sound systems for auditoria
- 10.5 Time delay and the Haas effect
- 10.6 Response shaping
- 10.7 Speech intelligibility
- 10.8 Outdoor PA systems
- 10.9 Climatic effects
- 10.10 Sound-masking systems
- 10.11 Reverberation enhancement
- 10.12 Electronic architecture
- 10.13 Cinema sound systems
- 10.14 Sound system performance and design prediction
- 10.15 Microphones
- References
- Bibliography
-
11 Loudspeakers for studio monitoring and musical instruments
- Part 1: Studio Monitor Loudspeakers
- 11.1 Introduction
- 11.2 Studio monitor performance requirements
- 11.3 Significant monitor designs
- Part 2: Musical Instrument Loudspeakers
- 11.4 Musical instrument direct-radiator driver construction
- 11.5 Musical instrument loudspeaker enclosures and systems
- Part 3: The Digital Future
- 11.6 Electronic speaker modelling, digital input and control, and the possibility of the digital loudspeaker
- References
- Bibliography
-
12 Loudspeaker measurements
- 12.1 Introduction
- 12.2 Measurement standards
- 12.3 The measurement environment
- 12.4 Measuring conditions
- 12.5 Characteristics measurements: small-signal
- 12.6 Large-signal measurements: distortion-limited
- 12.7 Large-signal measurements: damage-limited
- 12.8 Mechanical measurements
- 12.9 Integrated measurement systems
- Acknowledgements
- References
- 13 Subjective evaluation
- 14 Headphones
- 15 International standards
- 16 Terminology
- Index
Product information
- Title: Loudspeaker and Headphone Handbook, 3rd Edition
- Author(s):
- Release date: September 2012
- Publisher(s): Routledge
- ISBN: 9781136120855
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