Bibliography

[1]G. Papadopoulos and G. Wiggins, “AI methods for algorithmic composition: A survey, a critical view and future prospects,” in AISB Symposium on Musical Creativity, 1999.

[2]V. Verfaille, M. M. Wanderley, and P. Depalle, “Mapping strategies for gestural and adaptive control of digital audio effects,” Journal of New Music Research, vol. 35, no. 1, pp. 71–93, 2006.

[3]B. Kolasinski, “A framework for automatic mixing using timbral similarity measures and genetic optimization,” in Audio Engineering Society Convention 124, 2008.

[4]G. Bocko, M. Bocko, D. Headlam, J. Lundberg, and G. Ren, “Automatic music production system employing probabilistic expert systems,” in Audio Engineering Society Convention 129, 2010.

[5]A. T. Sabin and B. ...

Get Intelligent Music Production now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.