Preface
I began my career as a recording studio engineer in the 1960s, at a time when one was not only designated as the audio mixer but also the studio designer/builder along with part of the crew that built the studio’s console. By 1970, I was attending lectures at MIT by Leo L. Beranek, a partner with R. H. Bolt of Bolt, Beranek and Newman, and a leading auditorium acoustician. Attending college close to full time, attending seminars and lectures, and working in a recording studio while running my own four-track “portable” recording business, you’d think that all kinds of needed information would be pouring in my direction. While all of the above gave me a great deal of insight into the field of acoustics, it seemed there wasn’t anybody talking ...
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