Reel 2Exhibitionists
The end of the twentieth century was a period characterized by the piecemeal adaptation of digital equipment and its consequent invasion of professional analog audio’s ecology. At the same time that the introduction of new and disparate digital processes were disruptive to a formerly stable web of audio craftsmanship for films, there was a parallel explosion of progress in professional analog audio technology and, consequently, profound transfiguration in the workflow of sound, both for production and for post. For this book, limiting the subject to the making of mainstream Hollywood films in the period ...
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