Part 6Documentary Aesthetics
CHAPTER 17 POINT OF VIEW AND THE STORYTELLER
Film, Literature, and Point of View Collecting Evidence: Observational or Participatory Approach
Collecting Evidence: Observational or Participatory Approach
Single POV (Character in the Film)
Multiple Characters’ POVs within the Film
Reflexivity and Representation
Questions to Ask Yourself about POV
CHAPTER 18 DRAMATIC DEVELOPMENT, TIME, AND STORY STRUCTURE
Plot and the Rules of the Universe
Drama and the Three-Act Structure
The Best Scenes Are Dramas in Miniature
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