Book description
A digital interface is the technology that allows interconnectivity between multiple pieces of equipment. In other words hardware devices can communicate with each other and accept audio and video material in a variety of forms.The Digital Interface Handbook is a thoroughly detailed manual for those who need to get to grips with digital audio and video systems. Francis Rumsey and John Watkinson bring together their combined experience to shed light on the differences between audio interfaces and show how to make devices 'talk to each' in the digital domain despite their subtle differences. They also include detailed coverage of all the regularly used digital video interfaces.
New information included in this third edition: dedicated audio interfaces, audio over computer network interfaces and revised material on practical audio interfacing and synchronisation.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Contents
-
Chapter 1: Introduction to interfacing
- 1.1 The need for digital interfaces
- 1.2 Analog and digital communication compared
- 1.3 Quantization, binary data and word length
- 1.4 Serial and parallel communications
- 1.5 Introduction to interface terminology
- 1.6 Introduction to networks
- 1.7 The electrical interface
- 1.8 Optical interfaces
- 1.9 Timebase recovery in interfacing
- References
-
Chapter 2: An introduction to digital audio and video
- 2.1 What is an audio signal?
- 2.2 Types of audio signal
- 2.3 What is a video signal?
- 2.4 Types of video signal
- 2.5 What is a digital signal?
- 2.6 Why digital?
- 2.7 The information content of an analog signal
- 2.8 Introduction to conversion
- 2.9 Binary codes for audio
- 2.10 Binary codes for video
- 2.11 Requantizing and digital dither
- 2.12 Introduction to compression
- 2.13 Introduction to audio compression
- 2.14 Introduction to video compression
- References
-
Chapter 3: Digital transmission
- 3.1 Introduction
- 3.2 Types of transmission channel
- 3.3 Transmission lines
- 3.4 Equalization and data separation
- 3.5 Slicing and jitter rejection
- 3.6 Channel coding
- 3.7 Simple codes
- 3.8 Group codes
- 3.9 Randomizing and encryption
- 3.10 Synchronizing
- 3.11 Basic error correction
- 3.12 Concealment by interpolation
- 3.13 Parity
- 3.14 Block and convolutional codes
- 3.15 Cyclic codes
- 3.16 The Galois field
- 3.17 Introduction to the Reed–Solomon codes
- 3.18 Correction by erasure
- 3.19 Interleaving
- 3.20 Product codes
- 3.21 Networks
- 3.22 MPEG packets and time stamps
- 3.23 Program clock reference
- 3.24 Transport stream multiplexing
- Appendix 3.1 Calculation of Reed–Solomon generator polynomials
- References
-
Chapter 4: Dedicated audio interfaces
- 4.1 Background to dedicated audio interfaces
- 4.2 Background to internationally standardized interfaces
- 4.3 Standard two-channel interface – principles
- 4.4 Sampling rate related to data rate
- 4.5 Auxiliary data in the standard two-channel interface
- 4.6 The validity (V) bit
- 4.7 The user (U) channel
-
4.8 Channel status data
- 4.8.1 Format of channel status
- 4.8.2 Professional and consumer usage compared
- 4.8.3 Professional usage
- 4.8.4 Levels of professional channel status implementation
- 4.8.5 Overview of channel status in consumer applications
- 4.8.6 Category codes in consumer channel status
- 4.8.7 SCMS and copy protection
- 4.8.8 SCMS in DAT machines
- 4.8.9 Channel status in consumer CD machines
- 4.9 Data-reduced audio over standard two-channel interfaces
- 4.10 AES42 digital microphone interface
- 4.11 The standard multichannel interface (MADI)
-
4.12 Manufacturer-specific interfaces
- 4.12.1 Sony digital interface for LPCM (SDIF-2)
- 4.12.2 Sony digital interface for DSD (SDIF-3)
- 4.12.3 Sony multichannel DSD interface (MAC-DSD)
- 4.12.4 Tascam digital interface (TDIF)
- 4.12.5 Alesis digital interface
- 4.12.6 Roland R-bus
- 4.12.7 Mitsubishi digital interfaces
- 4.12.8 Sony to Mitsubishi conversion
- 4.12.9 Yamaha interface
- References
- Chapter 5: Carrying real-time audio over computer interfaces
-
Chapter 6: Practical audio interfacing
- 6.1 The importance of synchronization
- 6.2 Choice of sync reference
- 6.3 Distribution of sync references
- 6.4 Clock accuracy considerations
- 6.5 Use and function of sampling frequency synchronizers
- 6.6 Considerations in video environments
-
6.7 Compatibility issues in audio interfacing
- 6.7.1 Incompatibilities between devices using the standard two-channel interface
- 6.7.2 Electrical mismatch in professional systems
- 6.7.3 Data mismatch in professional systems
- 6.7.4 Electrical mismatch between consumer and professional systems
- 6.7.5 Data mismatch between consumer and professional systems
- 6.8 Handling differences in audio signal rate and resolution
- 6.9 Analysing the digital audio interface
- 6.10 Interface transceiver chips
- 6.11 Routers and switchers
- 6.12 Other useful products
- 6.13 A brief troubleshooting guide
- References
-
Chapter 7: Digital video interfaces
- 7.1 Introduction
- 7.2 Areas of standardization
- 7.3 Digitizing component video
- 7.4 Structure of SD component digital
- 7.5 Structure of HD component digital
- 7.6 Synchronizing
- 7.7 Component ancillary data
- 7.8 The SD parallel interface
- 7.9 The HD parallel interface
- 7.10 The composite digital parallel interface
- 7.11 Serial digital video interfaces
- 7.12 Digital video interfacing chipsets
- 7.13 Embedded audio in SDI
- 7.14 EDH – error detection and handling
- References
- Chapter 8: Practical video interfacing
- Index
Product information
- Title: Digital Interface Handbook, 3rd Edition
- Author(s):
- Release date: July 2013
- Publisher(s): Routledge
- ISBN: 9781136026096
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