Chapter 12
This chapter is new to the second edition of Cutting Rhythms. It is based on experiments I have been doing with teaching and screen production since the first edition came out in 2009 and creative research done through the support of a 2014 Macquarie University grant.
Since 2009, digital tools for screen production have continued to proliferate, becoming cheaper, higher in quality, and more accessible. They seem set to continue on that trajectory into the future. But have production pathways shifted to recognize these possibilities? Or are we mostly still emulating the Hollywood “factory” model that was set up when we were shooting on film? Do linear production models reflect the constraints ...
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