Acknowledgements
I would like to thank Keith Schofield for his kindness in writing the chapter on the technical information required by camera operators, and Sue Bunyan for her assistance with examples of film schedules. I am also grateful to Jane Read for producing the photographs on pages 89 and 99. I am, as ever, indebted to my husband, Christopher, not only for the chapters on post production, but also for his unfailing advice and support during the writing of each edition of this book.
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