Book description
Concert Lighting: Tools, Techniques, Art, and Business Fourth Edition provides readers with an updated look at how to succeed in the complex world of concert lighting design and technology. The authors have reorganized the book into three comprehensive and thoroughly revised sections, covering history, equipment and technology, and design.
Table of contents
- Cover
- Title
- Copyright
- Table of Contents
- Foreword
- Acknowledgments
- Preface
- Authors’ Page
-
PART I BACKGROUND AND ORGANIZATION
- 1. The Rise of the Concert Lighting Field
-
2. Early Lighting Pioneers and Companies
- Chip Monck (Fillmore East and West)
- Chris Langhart (Fillmore East, The Rainbow)
- Joshua White (Joshua Light Show, Fillmore East
- Bob See (See Factor)
- Rusty Brutsche, Keny Whitright, Jack Calmes (Showco)
- James Moody (Sundance Lighting)
- Michael Strickland (Bandit Lites)
- Michael Tait (Tait Towers)
- Eric Pearce (Showlites)
- Ed Auswacks (Lasermedia)
- 3. Entertainment Lighting
-
4. Personnel and Certifications
- Road Crew Duties
- Artist’s Manager
- Road Manager
- Tour Director
- Tour Manager
- Production Manager
- Stage Manager
- Tour Accountant
- Tour Security/Bodyguard
- Public Relations Representative
- Production Designer
- Lighting Designer
- Lighting Director
- Lighting Programmer
- Master Electrician
- Lighting Technician
- Scenic and Costume Designer
- Equipment Manager
- Crew Chief
- Rigger
- Sound Engineer
- Monitor Engineer
- Sound Technician
- Pyrotechnician
- Audiovisual Specialist
- Wardrobe, Dresser, and Dressing Rooms
- Laserist
- Video Director
- Video Designer
- Video Crew
- Road Chef
- Truck Driver
- Unions
- Industry Certifications
-
5. The Importance of Business and Effective Communications
- Protecting Your Design Work
- Lighting Business Employment Opportunities
- Freelance
- Company Employee
- Direct Contact
- How Does Fee Structure Work?
- Per Diem
- Equipment Costs
- Contracts
- Contracting the Crew
- The Contract Rider
- The Importance of the Rider
- Follow-up
- The Promoter’s View
- Small Production—Low Budget
- The Yellow Card
- 6. Pre-Production and Preparation
- 7. The Design Phase
- 8. The Designer’s Workbox
- 9. Writing Cues and “Busking”
- 10. Life on the Road
- 11. Venues and Local Lighting Equipment
-
12. Working Outside the United States
- Carnets
- Access to Canada from the United States
- Touring in the European Union (Eu)
- Touring in South America
-
Touring in Japan and Asia
- The Japanese Theatre Culture
- Theatres and Concert Production
- Lighting Companies in Japan
- Local Power
- Generators and Transformers
- Equipment Availability
- Other Lighting Equipment
- Rigging
- Trucking
- Crew and House Staffs
- Payments and the Promoter
- Theatres and Other Halls
- Business Ethics
- Respect For Other Cultures
- 13. Risk Assessment and Safety
- 14. Finding Solutions
-
PART II EQUIPMENT DESIGNED TO TRAVEL
- 15. Lifts, Hoists, and Roofs
- 16. Lighting Trusses
- 17. Lighting Consoles
- 18. Protocol, Control, and Ancillary Enablers
-
19. Conventional Lighting and Accessories
- The Par Family
- ETC’s Par And Parnel
- Fresnel
- Ellipsoidal Reflector Spotlight
- Cyclights And Farcycs
- The New Beam Projector
- Audience Blinders
- Follow Spots
- Fat Lights
- Strobe Lights
- Blacklights
- Color Scrollers and Changers
- Moving Yokes
- Dmx Iris
- Shutter Control
- Color Media
- Gobos and Accessories
- Personal Accessories
- 20. Portable Dimming and Distribution Systems
- 21. Automated Luminaires
- 22. LED Units
- 23. LED Screens, Projection, and Media Servers
- 24. Content Creation
- 25. Smoke, Lasers, and Special Effects
-
PART III DESIGNING WITH TOURING EQUIPMENT
- 26. Lighting for Film and Video
- 27. Master Designers and Concert Lighting
- 28. Master Designers, Theatre, and Architainment
- 29. Postscript: Looking Forward
- Glossary
- Bibliography
- Index
Product information
- Title: Concert Lighting, 4th Edition
- Author(s):
- Release date: October 2016
- Publisher(s): Routledge
- ISBN: 9781317374282
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