Einleitung
Our pursuit of the image across media seems endless and perhaps circular, beginning in the real world with concrete pictures […], moving rapidly into the mental lives of the producers and consumers of these media, then returning to their physical existence in concrete circumstances.
The image […] is both the center and the circumference of the problem of media: images always appear in some medium or other, we cannot understand media without constructing images of them. (Mitchell 2010, S. 41)
Das Bild erhält gegenwärtig umfangreiche wissenschaftliche Aufmerksamkeit, die in Form von Forschungsbemühungen, Publikationen, Veranstaltungen und eigens eingerichteten Institutionen, wie etwa „eikones“1 in Basel, Ausdruck findet. Begründungen ...
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