FOREWORD
During 2009 I was contacted by Bridgette Mongeon with a request to include images of my digital sculptures in the gallery of her first book, Digital Sculpting with Mudbox: Essential Tools and Techniques for Artists. It was exceptionally compelling as a training manual for traditional figurative clay modeling as well as digital modeling with virtual clay.
The following year Bridgette invited me as a guest for one of the first podcast interviews that she has produced during the past several years. Her series of podcasts have proven to be a tremendous resource for anyone interested in researching digital sculpture as a significant contemporary aesthetic and emerging technological process for the production of sculptural forms with ...
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