Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The animals on the cover of Learning DCOM are dachshunds. Dachshunds are easily identified by their long bodies, short legs, and long, hanging ears. Dachshund coats can be shorthaired, longhaired, or wirehaired. The American Kennel Club recognizes two sizes of dachshund: miniature (those weighing less than 10 pounds) and standard (those weighing 11 to 25 pounds). In Europe three sizes of dachshund, determined by chest circumference when the dogs are 15 months old, are recognized. The sizes are: standard (chest circumference of more than 35 cm), dwarf (30-35 cm), and miniature (less than 30 cm). The word "dachshund" means "badger dog" in German, and this peculiarly shaped dog was first bred in Germany to hunt badgers and other burrowing animals. They are fearless and independent dogs who can follow a badger into its burrow, put up a fierce fight, and retrieve the badger. Their independence is an important trait for badger hunting, as dachshunds need to be able to decide what to do without guidance from their masters when they are deep inside a badger hole. This same independence, however, can make them difficult dogs to train. Despite this, they are extremely loyal to their owners, and as of 1996 the AKC listed them as the sixth most popular dog. Jeffrey Liggett was the production editor for Learning DCOM. Sheryl Avruch was the production manager. Robert Romano and Rhon Porter created the illustrations using Adobe Photoshop 5.0 and Macromedia Freehand 8.0. Mike Sierra provided FrameMaker technical support. Editorial and production services were provided by Rashelle Perez and David Leiser at Electro-Publishing. Becky Peveler was the copyeditor. Edie Freedman designed the cover of this book, using a 19th-century engraving from the Dover Pictorial Archive. The cover layout was produced with Quark XPress 3.32 using the ITC Garamond font. Whenever possible, our books use RepKover, a durable and flexible lay-flat binding. If the page count exceeds RepKover's limit, perfect binding is used. The inside layout was designed by Nancy Priest and implemented in FrameMaker 5.5 by Mike Sierra. The text and heading fonts are ITC Garamond Light and Garamond Book. This colophon was written by Clairemarie Fisher O'Leary.
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