- Title:
- Stopping Spam
- By:
- Simson Garfinkel, Alan Schwartz
- Publisher:
- O'Reilly Media
- Formats:
-
- Print Release:
- October 1998
- Pages:
- 201
- Print ISBN:
- 978-1-56592-388-1
- | ISBN 10:
- 1-56592-388-X
Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The animal featured on the cover of Stopping Spam: Stamping Out Unwanted EMail and News Postings is a pig, a cloven-hoofed mammal of the family Suidae. There are nine living species of pig and hogs. The domesticated pig is believed to be descended from the European wild boar. From its Euarsian origins, the pig has been introduced all over the world by humans. Christopher Columbus introduced the first pigs to the New World. Pigs are not found in regions such as the Middle East, where Judaism and Islam are the predominant religions, because they are considered to be unclean animals in these religions.
Pigs have a keen sense of smell and excellent hearing, but poor vision. They have unusually versatile voices--they can grunt, squeak, squeal, and snort, as circumstances dictate. Their highly mobile snouts enable them to root in the ground for food. Their reputation for being dirty presumably comes from the fact that they wallow in mud. They do so in order to protect themselves from the sun and heat and from parasitic insects. Despite this reputations, pigs are very clean animals. That, combined with their intelligence, adaptability, and trainability, have led to their increasing popularity as household pets. The small Vietnamese potbellied pig is the current frontrunner in the race for most popular pet pig. Nancy Kotary was the production editor for Stopping Spam. Sheryl Avruch was the production manager; Debby English was the copy editor; Claire Cloutier LeBlanc provided quality control; Kimo Carter provided production assistance. Robert Romano created the illustrations. Lenny Muellner provided tools support. Ruth Rautenberg wrote the index.
Edie Freedman designed the cover of this book, (and Hanna Dyer designed the CD label) using a 19th-century engraving from the Dover Pictorial Archive.
The cover layout was produced with QuarkXPress 3.3 using the ITC Garamond font. Whenever possible, our books use RepKover, a durable and flexible lay-flat binding. If the page count exceeds RepKovers limit, perfect binding is used. The inside layout was designed by Nancy Priest and implemented in FrameMaker by Mike Sierra. The text and heading fonts are ITC Garamond Light and Garamond Book. The illustrations that appear in the book were created in Macromedia Freehand 7.0 and screen shots were created in Adobe Photoshop 4.0 by Robert Romano. This colophon was written by Clairemarie Fisher O'Leary.