- Title:
- Multi-Platform Code Management
- By:
- Kevin Jameson
- Publisher:
- O'Reilly Media
- Formats:
-
- Print Release:
- April 1994
- Pages:
- 354
- Print ISBN:
- 978-1-56592-059-0
- | ISBN 10:
- 1-56592-059-7
Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. Trapeze artists are featured on the cover of Multi-Platform Code Management. Acrobats appeared in art as early as 2500 B.C., when several were depicted in a painting on the wall of a tomb in the Nile Valley. The art of tightrope walking is thought to have originated in China, and Marco Polo described fantastic acrobatics displays, including "rope dancing," that he witnessed in the court of Kublai Khan. The Roman emperor Carinus is credited as being the first to sponsor a formal performance by acrobats, in the third century.
The trapeze entered the modern age in 1859, thanks to two French trapeze artists. On June 30, 1859, Emile Gravelet, who called himself Blondin, crossed Niagara Falls on a tightrope for the first time. He repeated this feat numerous times throughout the summer of 1859, drawing huge crowds each time. News of these crossings created such a sensation that high-wire acts came into great demand throughout the world.
That same year another young Frenchman named Jules Leotard, assisted by his father, developed a routine in which he "flew" from one device to another. He is believed to be the first flying trapeze artist. He not only created a sensation that would forever become a staple of circus acts, he also gave his name to the costume acrobats and dancers continue to wear to this day.
Danger has always been an integral part of the appeal of the trapeze, with sometimes tragic results. Some of the most legendary trapeze artists to die while performing their art are Lillian Leitzel, in 1931, and several members of the Flying Wallenda family, including Willy Wallenda, in 1933. ...
Edie Freedman designed this cover using a nineteenth-century engraving from the Dover Pictorial Archive. The cover layout was produced with QuarkXPress 3.3 using the ITC Garamond font. Edie also designed the interior layout.
Text was prepared in SGML using the DocBook 2.1 DTD. The print version of this book was created by translating the SGML source into a set of gtroff macros using a filter developed in-house by Norman Walsh. Steve Talbott designed and wrote the underlying macro set on the basis of the GNU gtroff -gs macros; Lenny Muellner adapted them to SGML and implemented the book design. The GNU groff text formatter version 1.08 was used to generate PostScript output.
The figures were created in Aldus Freehand 4.0 by Chris Reilley and Karla Tolbert. The colophon was written by Clairemarie Fisher O'Leary with help from Michael Kalantarian.