Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The animal on the cover of 802.11 Wireless Networks: The Definitive Guide, Second Edition, is a horseshoe bat (Rhinolophus hipposideros). This rare and globally endangered species is the smallest of the European horseshoe bats; they typically weigh only 4 to 10 grams and have a wingspan of 19 to 25 centimeters. Horseshoe bats get their name from the horseshoe-shaped, leaflike plate of skin around their noses. This nose-leaf helps modify and direct the ultrasonic sounds they emit through their nostrils (a method of sensory perception known as echolocation) to orient themselves to their surroundings, detect obstacles, communicate with each other, and find food. Bats' echolocation systems are so accurate that they can detect insects the size of gnats and objects as fine as a human hair.
Lesser horseshoe bats are found in a variety of habitats, ranging from the British Isles to the Arabian Peninsula and Central Asia, and from Morocco to Sudan. The lesser horseshoe bat was originally a cave-roosting bat, but many summer maternity colonies now occupy the roofs of old rural houses and farm buildings. These bats also sometimes roost in hedgerows and hollow trees. Maternity colonies of 30 to 70 are normal, but roosting mothers have been known to form colonies of as many as 200 bats. Lesser horseshoe bats hibernate, sometimes in large groups, from October until late April or early May. Their winter roosts are usually underground, in caves or tunnels. They hang by their feet with their wings wrapped around their bodies, often in open and exposed positions but rarely in large clusters. Colleen Gorman was the production editor and the proofreader for 802.11 Wireless Networks: The Definitive Guide, Second Edition. Emily Quill and Claire Cloutier provided quality control. Abigail Fox provided production assistance. Johnna VanHoose Dinse wrote the index.
Ellie Volckhausen designed the cover of this book, based on a series design by Edie Freedman. The cover image is a 19th-century engraving from the Dover Pictorial Archive. Karen Montgomery produced the cover layout with Adobe InDesign CS using Adobe's ITC Garamond font.
David Futato designed the interior layout. This book was converted by Judy Hoer to FrameMaker 5.5.6 with a format conversion tool created by Erik Ray, Jason McIntosh, Neil Walls, and Mike Sierra that uses Perl and XML technologies. The text font is Linotype Birka; the heading font is Adobe Myriad Condensed; and the code font is LucasFont's TheSans Mono Condensed. The illustrations that appear in the book were produced by Robert Romano, Jessamyn Read, and Lesley Borash using Macromedia FreeHand MX and Adobe Photoshop CS. The tip and warning icons were drawn by Christopher Bing. This colophon was written by Rachel Wheeler.